Equipment Rentals

Welcome to our equipment rental page, where you can find all the tools you need to bring your creative vision to life. Whether you’re a seasoned professional or a newcomer to the industry, our selection of high-quality gear is sure to meet your needs. From cameras and lighting equipment to audio gear and accessories, we have everything you need to capture stunning visuals and high-quality sound. Our commitment to providing top-notch equipment and exceptional customer service has made us a go-to resource for filmmakers, photographers, and other creatives.

Please note that all of our rental rates are per day, and if you have any questions or would like to reserve equipment, please don’t hesitate to phone us or contact through email. Explore our inventory and start planning your next project today!


Blackmagic Design Pocket Cinema Camera 6K Pro

To top their previous achievement with the Pocket Cinema Camera 6K, Blackmagic Design adds an even more full-featured, compact Super35 camera to their cine-style line with the Pocket Cinema Camera 6K Pro. The 6K Pro features all the recording features, sensor, dynamic range, buttons, and ports as its predecessor, and adds a variety of important new features such as a 5″ tilting HDR capacitive touchscreen LCD with 1500 cd/m² brightness, a Pro EVF option, built-in clear/2/4/6-stop ND filters, dual mini-XLR inputs, an accurate timecode clock, an NP-F570 L-series battery slot, and updated Gen 5 color science. (EF mount lens not included).

$250 per day

Blackmagic Design Pocket Cinema Camera 6K

Blackmagic Design ups the ante in compact cine-style capture with their Super 35 sensor Pocket Cinema Camera 6K. Not only can the BMPCC 6K record up to 50 fps 6144 x 3456 video, but in a boon to lens connoisseurs everywhere, it features an active Canon EF mount, letting users take advantage of the expansive array of EF-mount lenses available. Features: Active Canon EF Mount; Super 35-Sized HDR Sensor; Record 6K 6144 x 3456 up to 50 fps; Dual Native 400 & 3200 ISO to 25,600more to come

$200 per day

Canon XF305 Professional Camcorder (Old Faithful)

The XF305 supports the highest HD quality, with Full HD 1920 x 1080 resolution, up to 50Mbps bit rate and 4:2:2 color sampling. 4:2:2 color sampling provides twice the color resolution of HDV and other codecs that use 4:2:0 color sampling. 4:2:2 provides ultra-fine transitions in tone and color and maintains the highest quality image for use in post production processes such as chroma keying, color grading, advanced compositing and effects.

$150 per day

Blackmagic Design Pocket Cinema Camera 4K

The Blackmagic Design Pocket Cinema Camera 4K features a 4/3″ sensor for capturing up to 4096 x 2160 DCI 4K images at rates up to 75 fps in a variety of codecs including Blackmagic Raw at several bit rates and various ProRes 422 options. With the 6.6 update, the BMPCC 4K now offers up to 80 fps in a 2.8K raw mode for 4:3 anamorphic and up to 75 fps in a 4K raw mode in 2.4:1 widescreen. A 2x de-squeeze preview is available for 4:3 recording as well as a 1.33x de-squeeze option. Slow-motion rates up to 120 fps are available in 2.6K raw for Super16 lenses and in cropped Full HD. The 6.6 update makes operating easier with support for the Pocket Battery Grip and a built-in horizon level function. Further 6.6 update features include support for additional languages, USB PTP control, customizable frame guides, an up to 8x pinch-to-zoom function, the ability to embed custom LUTs as metadata in Blackmagic Raw, and more.

$175 per day

Blackmagic URSA Mini Pro 4.6K G2 EF Mount

The URSA Mini Pro 4.6K G2 is a professional digital film camera that combines the brilliant image quality of the URSA Mini 4.6K with the features and controls of a traditional broadcast camera. The second generation URSA Mini Pro features completely redesigned electronics and a Super 35mm 4.6K image sensor for HDR, allowing you to shoot at much higher frame rates. You also benefit from ND filters, an interchangeable mount and support for Blackmagic RAW and dual CFast and SD UHS II card recorders for capturing images at up to 300 frames per second. The camera even comes with a USB-C expansion port, allowing you to record directly to memory sticks or SSD drives. Maximize your recording time! To allow you to adjust most settings blindly without ever taking your eyes off the action, the URSA Mini Pro 4.6K G2 features a variety of intuitively placed controls on the camera side. Thanks to its light weight, the URSA Mini Pro 4.6K G2 can be used comfortably all day long. Its controls are extremely user-friendly and its picture quality is far superior even to broadcast cameras ten times its price.

$250 per day

Blackmagic URSA Mini Pro 4.6K G2 EF Mount (with Full Accessory Package)


  • Blackmagic Ursa Mini Shoulder Kit
  • Extendable arm to install Ursa Mini side hand grip
  • Ursa Mini side hand grip
  • Ursa Mini top handle
  • Quick Release Tripod Mount
  • Blackmagic Ursa Viewfinder
  • Blackmagic Ursa Vlock Battery Plate
  • Blackmagic Ursa Mini SSD Recorder
  • (Lens not included)

$495 per day

Lenses, Filters & Adapters

Laowa 24mm f/14 2x Macro Probe Canon EF Mount Manual Focus Lens (Cine Version)

This is the world’s first consumer-grade probe lens which focuses from 2:1 macro to infinity and with a compelling wide-angle ‘Bug Eye’ perspective. This wide-angle design results in greater depth of field at close focusing distances than is possible with conventional macro lens. The background details are now recognizable. The front lens barrel is water-proof affording the ability to obtain unique perspectives. The LED ring light, mounted at the tip of the lens, provides light to reduce unnecessary shadows. The package includes a white USB cable dimmer (with power adjustment), black USB cable (no power adjustment), lens bag and metal case. Please note that the LED is powered by an external battery (not included in the package).

$150 per day

Canon Cine EF Prime 3 Lens Set w/ CN-E 20/50/135mm Lenses

Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design- this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies. Canon’s brilliant Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production. Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses’ compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. The CN-E 20mm T1.5 L F Cinema Prime Lens is designed to provide outstanding optical performance and is capable of full 4K-Resolution performance. Whether you’re shooting in HD with a Canon EOS DSLR camera or in 4K using an EOS C700 Digital Cinema Camera, the CN-E 20mm T1.5 L F will help you to create a cinematic masterpiece by providing superb image quality, contrast and colour fidelity.

$250 per day

Metabones Canon EF to Micro 4/3 T Speed Booster ULTRA 0.71x

  • Product Highlights
  • Canon EF Lens to Micro 4/3 Mount Camera
  • Detachable Arca-Swiss Compatible Tripod Foot
  • Internal Coating Minimizes Reflections
  • Enables Autofocus
  • Maintains Image Stabilization
  • Increases Aperture by 1 1/3 f/Stop

$50 per day

Canon EF24-70mm f/2.8L II USM Lens

A standard focal length zoom lens, it features a large aperture throughout its focal length. Featuring the latest advances in optical lens design, it utilizes 1 Super UD lens element and 2 UD lens elements that help minimize chromatic aberration in the periphery at wide-angle as well as reduced colour blurring around the edges of the subject. In addition, 2 types of aspherical lenses are combined to help reduce spherical aberration over the entire image area as well as through the full zoom range. Optimized lens coatings also help ensure exceptional colour balance while minimizing ghosting. The lens is also equipped with a circular 9-blade diaphragm for beautiful, soft backgrounds. A ring-type USM and high-speed CPU with optimized AF algorithms enable silent and fast autofocusing. Built for the rigors of professional use as well as to meet the increased number of shots available with digital photography, it’s constructed with improved dust sealing and water resistance while fluorine coatings on the front and rear lens surfaces help reduce soiling, smears, and fingerprints. A zoom lock lever locks the zoom position at the wide end for safe transporting while attached to an EOS DSLR camera over the shoulder.

$60 per day

Canon EF70-200mm f/2.8L III IS USM Lens

A professional standard refined. The EF 70-200mm f/2.8L IS III USM delivers outstanding performance and optics to help you reach new heights in high-level creative imaging. The lens’s constant f/2.8 maximum aperture enables fast shutter speeds and beautiful background blur across its zoom range. To further enhance clarity, it adds Canon’s Air Sphere Coating (ASC), which combines with updated Super Spectra Coatings to reduce lens flare and ghosting. A superlative lens remastered for improved performance even in diverse light, the EF 70-200mm f/2.8L IS III USM is a worthy partner to help create your upcoming masterpiece.

$70 per day

Canon CN-E 50mm T1.3 EF Prime Lens

The Canon CN-E 50mm T1.3 L F Cine Lens is an EF-mount standard-width lens for Canon’s C-series cinema cameras, full-frame EOS DSLRs, and any video-capable camera that accepts EF-mount lenses. The aperture is a fast T1.3 that lets you get superior shots in low light. The diaphragm is made up of 11-blades and is as round as can be, and along with the fast aperture it can produce impressive bokeh and beautiful circular highlights. The diaphragm ring is stepless, super-smooth, and fully manual, even when used with a DSLR, offering an evermore accurate handle.

$100 per day

Canon CN‐E 20mm T1.5 EF Prime Lens

The Canon CN-E 20mm T1.5 L F Cinema Prime Lens is a manual focus prime lens that covers Full Frame and Super 35 sensor formats. The lens offers a maximum aperture of T1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round, out-of-focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.

$100 per day

Canon CN-E 135mm T2.2 EF Prime Lens

The Canon CN-E 135mm T2.2 L F Cinema Prime Lens is a telephoto prime lens for the full-frame sensor format, which makes it an ideal lens for the Cinema EOS series and all Canon DSLRs. The maximum aperture is T2.2, and the 11 blade iris ensures beautiful, rounded bokeh. The lens features markings on both sides of the barrel, making it easy to read settings from behind or on either side of the camera. In order to make lens changes quicker and easier, the 135mm T2.2 is designed to share similar dimensions with other CN-E lenses.

$100 per day

Camera Accessories

DJI RS2 Gimbal Stabilizer Pro Combo

The DJI RS 2 Pro Combo packs several additional accessories with the RS 2 gimbal to provide a more comprehensive workflow. A key addition is the DJI Ronin RavenEye Image Transmission System, which allows for 330′ 1080p video transmission from the gimbal with a latency of only 50ms for on-set collaboration. The other extra accessories are a focus motor, phone holder, two focus gears, and three HDMI cables.

The RS 2 gimbal is a redesigned follow-up to the Ronin-S gimbal with a payload of up to 10 lb. It’s about 25% lighter and more compact thanks to monocoque carbon fiber axis arms and a shorter grip handle with a smaller battery cartridge, although still with a 12-hour runtime. The motors are about 20% more powerful and support cameras such as the Blackmagic Pocket 6K, Canon 1D X Mark III, Sony a7S III, and ALEXA Mini LF.

$175 per day

DJI Ronin S

The DJI Ronin-S is more than just a miniaturized version of the larger Ronin gimbal stabilizers; it represents a scalable ecosystem for integrating DSLR and mirrorless cameras into professional-grade workflows. The single-handed form factor of the Ronin-S lends itself to lighter camera payloads, up to eight pounds.

Between the front trigger, the rear mode button, and the joystick, precise gimbal control lets you obtain the shots you require. The front trigger can lock the gimbal when held, re-center the gimbal when tapped twice, and engage the Selfie mode by turning 180° when tapped three times. Press the mode button to engage three customizable operation profiles, each with tunable speed and response for different shooting scenarios. If fast-moving subjects are your forte, the Sport mode delivers extra-quick response times and fast gimbal movements, up to a maximum speed of 45 mph. With this operation flexibility, the Ronin-S will fit into documentary, event, and feature film workflows, and it runs up to 12 hours on a single charge of the battery grip.

$125 per day


Live production is the fastest way to complete a finished program, plus you can stream it to a live global audience via YouTube at the same time. ATEM Mini models feature a built in hardware streaming engine, which works with any streaming software so you can directly stream via ethernet to popular social media platforms! With up to 8 HDMI inputs, depending on the model, you can set up multiple camera angles such as wide shots and close ups of each person in the performance. Then connect to a computer with a PowerPoint slide show or websites and gaming consoles. All switching is in real time so you can live stream your show to platforms such as YouTube, Facebook, Twitch and many more!

$125 per day


The Blackmagic Design ATEM Mini Extreme is an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. This versatile switcher’s eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.

Switch, add effects, color grade, and key in real time using the control surface’s buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini/Broadcast/Micro Studio cameras from the switcher. The ATEM Mini Extreme supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam production, the Mini Extreme has HDMI outputs to feed monitors and supports up to 16-screen multiview.

$175 per day

Teradek VidiU-PRO Portable HDMI H264 Encoder-Record

VidiU Pro delivers high definition live streaming video with the quality and reliability expected in traditional HD broadcast. With Teradek’s latest ShareLink™ technology, you guarantee the bandwidth needed to stream your HD content from anywhere, to everywhere. Connect, configure, go live! VidiU Pro accepts any HDMI camera source and is configurable via Bluetooth using your tablet or smartphone. Download the free VidiU App on your iOS or Android device for complete control. Roam cable-free for up to two hours of internal Li-ion rechargeable battery life.

$100 per day

Teradek VidiU Go Live Streaming Video Encoder

The Teradek VidiU Go is a live video transmission system that supports both HDMI and 3G-SDI signals up to 1080p60. It features two USB 2.0 ports for streaming using USB modems, and you can also use the Ethernet and Wi-Fi ports to stream. The VidiU Go is a bonded device and uses Teradek’s Core technology, which allows you to distribute the bandwidth of your streaming signal between the attached modems decreasing the chance of dropping frames and increasing the quality of your stream.

The VidiU Go supports AVC/H.264 compression for legacy applications as well as HEVC (H.265), which provides the same quality as H.264 at about half the data rate. Teradek’s Cloud allows access to their Core streaming platform, which enables you to remotely manage your VidiU Go.

$175 per day

DJI Ronin-MX

The Ronin-MX from DJI is dual-use gimbal suitable both for mounting on the Matrice 600 aerial platform as well as deployment closer to the ground. Improving over the Ronin-M, it features magnesium construction to yield high rigidity while keeping the weight down. The gimbal is suitable for cinema cameras, mirrorless cameras, and DSLRs weighing up to 10 pounds. Out of the box it supports two-operator operation and includes a radio controller (transmitter) for the camera operator. There is also an optional Thumb Controller (available separately) for solo operation. When installed on the Matrice 600 aircraft, the gimbal can be controlled via the DJI GO app. An included universal mounting adapter allows it to be adapted for use with jibs, car mounts, and various other types of camera support equipment. There is also a handlebar for handheld use.

$225 per day

IndiPro 2x Micro-Series 98Wh Li-Ion V-Mount Batteries &
Dual V-Mount Battery Charger Kit

Power your camera or accessories with these Micro-Series 98Wh Li-Ion Batteries and dual charger kit. This kit is comprised of a 2x 98Wh V-mount lithium-ion battery and a 16.8V DC dual-position charger for V-mount batteries. The battery runs on a premium lithium-ion cells and supports up to a 12A draw. It features a 5-LED power gauge that displays remaining battery power and a D-Tap port for simultaneously powering additional accessories as well an built-in USB interface. The V-mount dual battery charger charges up to two V-Mount batteries simultaneously. This charger is portable and features a 4-pin XLR power output. See below for more information on the items included in this kit. Key Features: 98Wh Lithium-Ion V-Mount Battery; 12A Continuous Draw; 4-LED Power Gauge.

$120 per day

Nucleus-M: Wireless Lens Control System

The Tilta Nucleus-M Wireless Lens Control` System features a 1000′ transmission range and comes with two lens drive motors with built-in wireless receivers, a FIZ hand controller, and two handgrips—one to control focus, and the other iris and zoom. The lens drive motors each feature a cine standard 0.8 MOD drive gear and two 7-pin connectors, enabling you to freely swap or interchange each motor. The motors power by daisy-chaining using the 7-pin cables, and each motor includes a 19mm rod clamp with 19 to 15mm reducing bushing.

The FIZ hand controller allows you to control focus, iris, and zoom, and it includes a neck strap. The handgrips feature adapters that enable mounting the controllers onto ARRI-compatible rosettes or onto 25/30mm diameter rods, such as those used with gimbals. The system comes packed in a waterproof hard case that protects your gear during transport and storage.

$150 per day

Atomos Shogun Inferno 7 inch 4K HDMI Quad 3G-SDI 12G- SDI Recording Monitor with Accessory Kit

Atomos invented the all-in-one monitor recorder category and now redefine it with the Shogun Inferno. It is the combination of the most advanced monitor technologies – 1500nit/10bit/HDR, the latest recording capability – 4Kp60 over Quad-SDI, along with playback & editing functionality that encourages on set collaboration. Shogun Inferno makes mastering a high resolution, high frame rate, high dynamic range workflow available to all filmmakers.

Shoot HDR with Log cameras
AtomHDR image processing lets you shoot with the high brightness range of your camera’s Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.

$180 per day

Hollyland Mars 400S PRO [Official] Wireless SDI HDMI
Video Transmitter and Receiver

Add up to 1080p60 wireless video transmission to your gimbal, mirrorless, or DSLR camera rig using the lightweight Mars 400S PRO SDI/HDMI Wireless Video Transmission System from Hollyland. The transmitter provides HDMI and SDI inputs and the receiver offers SDI and HDMI outputs. It features extremely low 0.1s latency with line-of-sight transmission up to 400′ to the receiver and up to 300′ to the Hollyview Wi-Fi app. For a strong line-of-sight signal, the system includes two external antennas on the transmitter and two on the receiver, and one is included as a spare.

Using the Hollyview app for iOS or Android, you can monitor your video transmission in real time via a Wi-Fi connection as well as live stream directly from the receiver via your computer using a USB Type-C adapter. The app also allows you to install optional channel scanning firmware enabling you to easily find the strongest transmission signals. The transmitter can simultaneously transmit to up to one receiver and two apps, or to a total of four apps without the receiver. The redesigned body makes it a low-profile choice for your rig, and it features multiple fan modes to keep it cool or quiet when you are shooting.

The 400S PRO transmitter and receiver are compact in size, feature a bright OLED display for configuration, and an integrated shoe adapter with a 1/4″-20 mounting thread for different mounting options. Each unit can be powered using a USB Type-C source, the included locking DC power adapter, or by using a separately available L-series type battery using the integrated battery plate.

$120 per day

Grip & Lighting

Proaim Polaris Portable Camera Dolly with Universal Track Ends

The Polaris Portable Camera Dolly with Universal Track Ends from Proaim is a heavy-duty camera dolly platform that rides on 16 soft polyurethane wheels that use precision, stainless steel ball bearings to perform silky smooth dolly shots. The durable aluminum dolly supports loads up to 440 lb.

The dolly wheels fit on standard speed rail, track, or pipe from 1.25″ up to 2″ diameter, and the wheel trucks “float”, allowing the dolly to navigate straight or curved track. Two universal track ends with removable feet are included, as well as brake system to stop the dolly from moving and to prevent tipping. A center support is also included to provide additional support for heavy loads.

The platform features an integrated Mitchell mount and it includes 75mm and 100mm adapters so you can mount alternate fluid heads; a 150mm adapter is also available separately. The platform incorporates two 3/8″ through-holes, two 1/4″-20 threads, and two 3/8″-16 threads for mounting accessories. A custom, heavy-duty flight case is included to fit all the dolly components.

$150 per day

Kite-22 Foot Jib Crane Package

Well Designed Arm Sections: The modular octagonal-shaped arm sections reinforce the sturdiness of the Kite-22ft Camera jib crane. It is divided into seven sections, each measuring 4′ in length, overlapping by up to 1′ for varied lengths. Arm length is adjustable, ranging from 12.8 ft. to 24.5 ft. (24.5ft, 22.3ft, 19ft, 15.10ft & 12.8ft) to meet any professional demands. Each section is pulled from the previous section, so you can store unused sections in the tail as ballast weight and lighten your counterweight demand.

Perfectly Meets Various Production Needs! IT’S THE ULTIMATE SOLUTION FOR PROFESSIONALS. Proaim unveils Kite 22 Camera Jib Crane to let you explore your cinematic world. It will give you the whole spectrum of innovative ideas by giving various geographic scenarios & different in-studio angles. The Kite 22 jib stabilizes your camera to create incredibly detailed, smooth and consistent shots. It is well-engineered equipment which includes a tripod stand, portable floor dolly & Dutch roll pan-tilt head. The High-Grade Aluminum construction offers unbeatable strength and holds most camera setups. The Tripod supports an incredible payload of up to 150kg/330lb and is highly stable in use. The Kite 22 package includes a D-33 Pro Dolly to add mobility to the crane. It’s a compact and versatile pro video dolly. The Locks on the wheels ensure static jerk free shots & easy assembling. The Proaim LANC Zoom Controller features a sensitive thumb switch that allows for variable-zoom speed from slow to fast. The zoom lever allows you to zoom out to wide-angle or zoom in to telephoto. This unit has an outlet cable and can be clamped on the rear frame. The LANC Zoom controller is compatible with a variety of Sony, Canon & Panasonic Cameras.

$495 per day


Our heavy-duty standard sandbag is a 15.75lb saddle-style bag. These sandbags come with a water-resistant inner bladder, a heavy duty vinyl shell, and reinforced bottoms. They’re available as refillable shells to save transport costs when flying.

$5.00 per day

Proaim Sky-Walker Pro Cinema Cablecam System

Glides Over the Large Open Spaces like Stadiums, Live Events, Mountains, Rivers, and Captures Smooth Cinematic Shots. Well-Engineered Equipment with Intelligent Speed & Position Sensing – calibrates as per your needs and offers Complete Safety. Adapts Any Camera Gimbal Setup; DJI Ronin/M/MX, Freefly Mövi & other gimbal heads, weighing up to 10kg / 22lb with a maximum speed of 25 km/hr. Proaim bringing you Skywalker; a point-to-point cable-cam system that is self-powered, easy & quick to set up, and operates quickly. It is professional film-making equipment that allows shooting in open space by the remote-controlled cable-drive system. It is a Perfect Cablecam solution for the filmmakers, which is available at a very efficient price.

$250 per day

Kupo KT-2436K 24×36″ Open End Flag Kit

A complete lighting control system in one. This lighting control carry bag is made of rugged polyester fabric with a zippered closure and carrying handle making it a great solution for storage and transportation of flags. To cater for the needs of complete lighting control with flags, there are 6 varieties of flags including: single black net, double black net, single white net, double white net, artificial silk and 1/4 silk in each carrying bag.

$40 per day

Westcott Scrim Jim Cine Kit (6′ x 6′)

Soften, reflect, and tone whatever lighting you encounter with this all-inclusive light control kit. With the modular design of Scrim Jim Cine, this kit can be configured in many different ways. Easily add more diffusion, bounce fabrics, or nets to expand creative possibilities.

$40 per day

Westcott 18″x 24″ Fast Flags Kit

Diffuse, block, shape, or cut light on set. This portable light control kit includes 2 folding metal flag frames and 4 interchangeable fabric modifiers. Fabrics slide onto the collapsible frame and secure with a velcro closure. The included travel case has pockets and compartments to keep the kit organized. Add a grip head and light stand for secure mounting.

$20 per day

Manfrotto 546GB Tripod + 504 Head + MBAG100PN

The 504HD, 546GBK Manfrotto video system includes the 504 Fluid Video Head with incorporated 75mm half ball, the 546GB professional aluminium twin leg tripod with ground spreader, and the handy MB MBAG100PN tripod bag. The Manfrotto 504 fluid video head with 75mm half ball features variable fluid drag system in both pan and tilt movement which allow smooth shooting, a 4-step counterbalance system up to 7,5 Kg, and a maximum payload of 12 Kg at 55mm C.O.G. Easy link 3/8” thread connections allows an external monitor or other accessory equipment to be fitted. The 546GB aluminium twin leg tripod comes with a 75mm bowl for easy, effortless mounting, and the tripod can be used with various dollies so you can enjoy more shooting freedom. With the telescopic ground-level spreader, you can set your leg angles with even greater precision.

$50 per day

Matthews 20 inch C-Stand with Sliding Leg, Grip Head & Arm

The 5.25′ Hollywood 20″ C-Stand with Sliding Leg, Grip Head & Arm from Matthews is ideal for placing flags, color gels, bounce cards, and silks in front of light sources to block, direct, or modify the light. It can also be used to mount lights or rig any type of gear up to 22 lb. This Matthews stand nests with others of its kind, saving valuable space on sets. It also features a sliding leg to accommodate uneven terrain.

$20 per day

Kupo KAB-41K Nesting Apple Box Set

The 4-In-1 Nesting Apple Box Set from Kupo includes full-, half-, quarter-, and pancake-sized apple boxes, all made of a strong 9-ply Baltic birch wood. The three smaller sizes in the set store inside the full-sized apple box via a sliding side panel that secures in place by two magnets. The boxes have multiple applications in the studio or on location, so the set can be used to level out an uneven light stand, add height to an otherwise short model, or even serve as a bench or stool.

$20 per day

Kupo 40 inch C Stand Kit with Turtle Base
40 inch Extension Grip Arm and Grip Head

The 9.7′, silver 40″ Riser C-Stand Turtle Base Kit from Kupo is outfitted with a patented spring ring locking system that removes all tension from the legs so that gravity can do the work for you. With the turtle base, the riser section can be quickly removed from the base for easy transportation and the base can be used with a stand adapter for a low mounting position. The 40″ Grip Arm with Hex Stud is a 2.5″ grip head mounted on the end of a 40″ piece of steel tubing 16mm in diameter and finished with a faceted hex stud to keep lighting fixtures in position when they are placed on the end of the arm. The grip head consists of a pair of rotating aluminum discs attached to a 16mm receiver. The discs have four different sized V-shaped jaws to accept any accessory with a 5/8″, 1/2″, 3/8″ or 1/4″ mounting stud or tubing. The V-shaped jaws have teeth that grab whatever is mounted between the plates securely. The 2.5″ grip head features an oversized ergonomic T-handle and dedicated roller bearings designed for maximum torque.

$25 per day

Red Rock Micro One Man Crew Director Motorized Camera Slider

The One Man Crew Director from Redrock is a 36″ motorized parabolic slider that lets you add cinematic motion to your video without needing a dedicated operator. It builds upon the design of the original One Man Crew, adding a re-designed low noise drive system for quieter slides, and new machined aluminum rails for even smoother motion with loads weighing up to 22 pounds. The slider also features remote control functionality, letting you setup and control the slider from your mobile device using Redrock’s OMC Remote app. Additionally, the app can control camera start/stop recording when used with a compatible camera and optional remote cable. For a ready-to-use package, a Redrock Heavy Load Tilt Head is included along with an AC Adapter, D-Tap DC battery cable, a set of adapters for mounting the slider on light stands or c-stands, two cable wrangler clamps, and a padded carrying case.

$215 per day

Westcott Flex Cine DMX RGBW 2-Light Gear Kit 1′ x 2′

This Westcott Flex Cine DMX RGBW LED Mat Two Light Fixture Kit is assembled to provide you with a flexible 1 x 2′ LED mat lighting kit that is ready for use in studio or on location. The kit includes two 1 x 2′ RGBW LED mats, two Wireless DMX control modules that supports both wired and wireless DMX and controls the functions of the LED mat. Also included are two AC adapters that power the mats via the dimmers, two Scrim Jim frames, two yokes, two softboxes, two eggcrates for the softboxes, and a gear bag for storing and transporting the kit.

Each included dimmer and AC adapter enable powering and controlling a single flex mat. You can control the dimmer locally, or use its DMX functionality from a remote DMX board (not included). The dimmer also enables using an optional app for more detailed control of the fixture from your mobile device. The Scrim Jim Cine Frame Set creates a rigid frame that you can attach the flexible LED mat to, which allows you to mount the unit, as well as mounting diffusion and softboxes, to the included yoke. Please note that light stands are not included.

$275 per day

Flycam Flowline Master Professional Support
for Camera & Gimbals (4-12kg/9-27lb)

We understand extended handheld camerawork can prove to be a backbreaker. The Flycam Flowline Master takes the weight off your shoulders and arms and redistributes it across the entire back using the Comfortable and Breathable Body Harness. Ergonomically designed Flowline Master Vest ensures more support around the Shoulders and Back, allowing you to mount large setups and shoot comfortably for a longer duration. It has a flexible belt system & adjustable vest rods on sides, which will enable a comfortable fit for all body types. The Harness takes the weight off your neck, arms and shoulders, letting you hold the camera steady for longer duration without fatigue, resulting in smoother and Steadier Shots. The Support Rope also adds a point of Contact which reduces Vibrations. This Flowline Master System fits multiple Camera and Gimbal Setups between the weight range of 4kg/9lbs to 12kg/27lbs.You can even adjust the spring tension to balance the load placed on the Support Rope by turning the knob present on the back of the rig. Also, the top bar allows for 360° rotation to capture shots with incredible freedom of movement.

$150 per day

Aputure Light Storm 300x Bi-Color LED Light (V-mount)

Redefining Flexibility

The Light Storm 300x is Aputure’s latest point-source LED and is the first bi-colour Bowens mount light fixture to be compatible with optical lens modifiers. By combining the latest optical colour blending technology with Aputure’s dual-colour LED chipset, the LS 300x can utilize the Fresnel 2X and Spotlight Mount to give you unprecedented flexibility from a single fixture. With a simple turn of a dial or press of a button, you can adjust the fixture’s white light CCT output between 2700K-6500K in just seconds. And utilizing the same robust lamp head and control box design as the 300d II, this light is built to handle any filmmaking challenge.

Multiple Control Methods

The Light Storm product line is all about flexibility, and the 300x continues to support this by being compatible with multiple control methods. In addition to the control wheels, the 300x can be controlled using Aputure’s tried and true 2.4G RF Remote, DMX512, as well as by the Bluetooth Mesh Sidus Link App. With the added range you get from having multiple Sidus Link lights active, you can control all of your lights’ settings from nearly anywhere on set. And with professional DMX512 compatibility, the 300x allows for control through several channels so you can precisely fine-tune your lighting setup.

Key Features:

  • Bi-Colour Bowens Mount Point Source (2700K-6500K)
  • Compatible with Optical Lens Modifiers
  • All-in-One Control Box
  • Sidus Link App Controllable
  • Single Battery Operating (50% Output)
  • 2700K-6500K Colour Temperature
  • 56,000lux @ 1m Illumination
  • Compatible with Optical Lens Modifiers
  • All-in-One Control Box
  • Single Battery Operating
  • V Mount Battery Compatibility

$180 per day


Sennheiser 112 (G2) Wireless LAV Set – XLR

Like all evolution wireless systems, the rugged metal housing of the evolution 100 Series ensures it withstands the rigors of life on the road. Evolution 100 Series’ tough build quality comes with a whole lot more… great handling, simple, easy-to-set controls, and a design that reflects its stature as a serious professional instrument. Evolution 100 Series transmitters and receiver offer four pre-selected switchable UHF frequencies for simple set-up and operation; while additional channels can be selected and set manually in increments of 25 kHz for extra versatility. Evolution 100 Series microphones are so reasonably priced that anyone who wants a wireless microphone can enjoy the superior quality of a Sennhieser wireless microphone.

$65 per day

RODE Boom Pole w/ SM4 Boom Pole, Shock Mount &
Dead Cat & NTG-3 Microphone

The Rode NTG3 Microphone is a super-cardioid shotgun mic, designed for professional use on film, television, electronic news gathering and wherever high-resolution broadcast audio is required. As Rode’s premier directional microphone, the NTG3 exhibits superlative audio quality with a rich, warm quality and a full frequency response. Its RF bias technology makes it almost completely resistant to moisture, making it the only option when recording in demanding environments where condensation is an issue. Machined from solid brass and available in either anti-glare, nickel-plated finish or matte black (NTG3B), the NTG3 is incredibly robust while remaining light weight. Its precise yet forgiving polar pattern ensures that whether used on-camera or on a boom pole, the NTG3 will capture audio clearly every time. A durable aluminum storage cylinder is supplied to provide the ultimate protection for the NTG3 while in storage and transport. Tightly sealed at both ends the cylinder is highly weatherproof, adding to the microphone’s rugged performance credentials.

$125 per day

NTG-3 Condenser Microphone Shotgun with WS7 Deluxe Windshield

The Rode NTG3 Microphone is a super-cardioid shotgun mic, designed for professional use on film, television, electronic news gathering and wherever high-resolution broadcast audio is required. As Rode’s premier directional microphone, the NTG3 exhibits superlative audio quality with a rich, warm quality and a full frequency response. Its RF bias technology makes it almost completely resistant to moisture, making it the only option when recording in demanding environments where condensation is an issue. Machined from solid brass and available in either anti-glare, nickel-plated finish or matte black (NTG3B), the NTG3 is incredibly robust while remaining light weight. Its precise yet forgiving polar pattern ensures that whether used on-camera or on a boom pole, the NTG3 will capture audio clearly every time. A durable aluminum storage cylinder is supplied to provide the ultimate protection for the NTG3 while in storage and transport. Tightly sealed at both ends the cylinder is highly weatherproof, adding to the microphone’s rugged performance credentials.

$75 per day

Sennheiser EW 500 FILM G4 CH-GW1 Wireless Combo + MD 42

The fourth generation evolution wireless series makes professional wireless technology even more simple, flexible and reliable. For musicians, filmmakers, convention speakers and for use in the auditorium: G4 is a system that grows with you.

The fourth generation of Sennheiser’s most popular series worldwide leaves nothing to be desired in terms of flexibility, ease of use and reliability. Whether you are on tour, at an outdoor shoot, in the conference room or in the auditorium – the G4 can do it all.

$125 per day

Zoom ZF4 Multitrack Field Recorder with Timecode – 6 Inputs / 8 Tracks

Designed to provide big Hollywood sound on an affordable indie budget, Zoom F4 is a 6-input / 8-track professional field recorder featuring super-low-noise preamps and timecode with pinpoint accuracy. The unit provides recording and playback resolutions up to 24-bit/192 kHz with impressive audio specs including an extremely low noise floor (-127 dBu EIN) and high gain (up to +75 dB), with +4 dB line-level inputs. The on-board temperature-compensated crystal oscillator (TCXO) generates timecode at 0.2 ppm accuracy and supports all standard drop-frame and non-drop formats, as well as jam sync for external devices.

$70 per day